(The original film’s Anita, Rita Moreno, serves as an executive producer and plays a key role in the film.) Every frame is beautifully composed and colorfully rendered, with key homages to the film’s roots in modernism. The film stars Ansel Elgort and outstanding newcomer Rachel Zegler as Tony and Maria, the star-crossed lovers at the center of a tale of warring gangs and family loyalties the whole cast is tremendous, but a standout performance by Ariana DeBose as Anita may be the best of all. A new screenplay by the renowned playwright Tony Kushner reimagines the film while remaining faithful to the original, tugging at narrative threads that enrich the story’s themes without being too obvious.
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Steven Spielberg’s remake of the movie-musical classic was delayed by the pandemic, but it’s arriving in movie theaters just in time to coincide with the original film’s 60th birthday.
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How to watch it: Listening to Kenny G is streaming on HBO Max.Īt last, it’s here. Instead, it focuses on a vital secondary question: Is there a dividing line between “I like this” and “This is good”? And should we care? What right do they have to tell someone who walked down the aisle to a Kenny G song that they’re wrong? That’s the question Listening to Kenny G raises and doesn’t try to answer outright. The sax player himself is the film’s main interviewee, but he’s flanked by music critics who point out all his shortcomings. There are no pat answers in her movies, and Listening to Kenny G is no exception. Listening to Kenny G is a documentary about the smooth-jazz sax crooner that sets out to ask a few barely answerable questions: Why do people love Kenny G? Why do people hate him? And what do their responses to him say about taste, preference, and art? In films like Hail Satan? (about the Satanic Temple) and The Pain of Others (about women who believe they have Morgellons disease), director Penny Lane has consistently refused to take the easy route. And, as always, I’ve told you where to watch them most are available on digital services, or will be soon.
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I’ve included a few extras at the end, plus some notable films that didn’t quite make the list. These films are the ones I hope will stand the test of time, even if they got overlooked for various (and often understandable) reasons. Everyone’s choices for the year’s best movies are different, tied to evaluations of quality, technique, and panache along with personal preference. Now, at the end of 2021, we’re ready to take a look back. Along the way, there’s been plenty of debate about the role of movie theaters in this brave new world, shortened windows between theatrical debuts and streaming premieres, and a host of questions about what makes a movie truly great. It is ending with a rush of hotly anticipated films that were delayed last year - some of which, like Dune, raked in healthy box office returns despite also being available on streaming services - alongside a huge crop of new stunners. It started with movie theaters closed in many major markets, limited vaccines, and a much-delayed (and much-debated) Oscar ceremony throwing wrenches into the works.